I thought I had the brilliant idea of puting this premise to print, but I was more-or-less shot down so I put it to my nickels of readers: What would you do if...
... you had the barest of quilting tools at your disposal? I mean, I have a room full of crap I rarely ever use but, as a quilter, I am comforted by their presence (if not the actual use). I have at least three cutting mats, a handful of rotary cutters; measuring tools I can't even recount and loads upon loads of fabric. I have marking pencils for every imaginable shade of fabric & enough upholstered tables to rend an entire queen-sized quilt from scratch. I have three sewing machines of varying age (and quality) and a Singer serger that has seen less than 1 year of actual use. I have, it can be argued, more than enough to produce an art quilt worthy of (at the very least) a red ribbon. Maybe more.
So what is a kid to do when they are relocated, sans quilting paraphenalia to another city- or state or even country? How do you pick up where you left off when the tools you're accustomed to using are a thousand miles away? What is the bare minimum it takes to make a quilt?
During these difficult times (what, with my mom dying and all) I plan to not only explore but possibly exploit the potential of each quilter- or at least THIS quilter- and the pre-concieved, retail-driven notion that good quilting is the result of artifact, not artistry.
... you had the barest of quilting tools at your disposal? I mean, I have a room full of crap I rarely ever use but, as a quilter, I am comforted by their presence (if not the actual use). I have at least three cutting mats, a handful of rotary cutters; measuring tools I can't even recount and loads upon loads of fabric. I have marking pencils for every imaginable shade of fabric & enough upholstered tables to rend an entire queen-sized quilt from scratch. I have three sewing machines of varying age (and quality) and a Singer serger that has seen less than 1 year of actual use. I have, it can be argued, more than enough to produce an art quilt worthy of (at the very least) a red ribbon. Maybe more.
So what is a kid to do when they are relocated, sans quilting paraphenalia to another city- or state or even country? How do you pick up where you left off when the tools you're accustomed to using are a thousand miles away? What is the bare minimum it takes to make a quilt?
During these difficult times (what, with my mom dying and all) I plan to not only explore but possibly exploit the potential of each quilter- or at least THIS quilter- and the pre-concieved, retail-driven notion that good quilting is the result of artifact, not artistry.








